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    Then, on the very day of the signing, they began the official announcement, forcefully leveraging this wave of traffic to boost the popularity of the watch.

    Yun Ziwei arranged for promotional reposts, and Xu Zhizhi began shooting the watch’s good game (gg) as per their demands.

    The creative concept was the same as before; it just included a segment showcasing Xu Zhizhi.

    Besides the high requirements for temperament and eye expressions, this brand was even easier to work with compared to the previous lipstick good game.

    Perhaps having dealt with more people lately, they had streamlined their processes.

    The shoots went smoothly and were completed four days later.

    Next, they immediately recorded a New Year’s greeting video, changing outfits and scenes to record a second version.

    At Yun Ziwei’s request, Xu Zhizhi also specially recorded a New Year’s greeting video for her fans.

    After finishing all this, there were only three days left until the New Year.

    Lin Yu officially took a holiday, while Yun Ziwei returned home to work online, and Xu Zhizhi stayed in the company-arranged apartment to celebrate the New Year.

    Xu Zhizhi didn’t feel lonely, as loneliness is a feeling only those who have had a family can truly understand.

    Aside from arranging her meals, Xu Zhizhi was mostly reading the audition script for “Tracking My Footprints” (《追蹤覓跡》).

    She was cast as a forensic doctor, with her own story arc, along with certain scenes and lines she needed to encounter.

    The script leaned towards realism, with every character having their own storyline.

    Although there were male and female leads, the supporting characters also had significant roles.

    Director Meng, the director, was one of the top names in serious dramas; last year, he directed a blockbuster television series, a costume political drama.

    The production team was first-rate, and the director was top-notch; this competition required a bit of

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